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Apollinaire de Kontski (23 October 182529 June 1879) was a Polish violinist, teacher and minor composer. He was born in Warsaw (some sources say Kraków) as Apolinary Kątski, the youngest of five musical siblings who all used the name ''de Kontski'' professionally, and the only one who was not a pianist.〔Grove's Dictionary of Music and Musicians, 5th ed, 1954, Vol. IV, p. 821〕 Their father tried to have them all recognised as "wunderkinder".〔(Словари и энциклопедии на Академике )〕 He studied with his elder brother Charles de Kontski and appeared in public at the age of four, playing a concerto by Pierre Rode.〔(Grande Musica )〕 He appeared in St Petersburg, France, Germany and England, making an extraordinary impression. He was praised by the likes of Hector Berlioz〔( ''Feuilleton du Journal des Débats'', 13 April 1850 )〕 and Giacomo Meyerbeer.〔 De Kontski was befriended by Niccolò Paganini in Paris, had some lessons with him, and it was said that he was even bequeathed Paganini's violins and manuscripts.〔 This last claim appears to be without foundation, however, Paganini did give him a signed testimonial, which was published in the ''Musical World'' of 21 June 1838: Having heard M. de Kontski, aged eleven years, perform several pieces of music on the violin, and having found him worthy of being ranked among the most celebrated artists of the present day, permit me to say, that if he continues his studies in this fine art, he will, in course of time, surpass the most distinguished performers of the age. Apollinaire de Kontski was also prone to the same penchant for charlatanry as his brother Anton de Kontski (1817-1899).〔 At one concert in France in 1850, he combined pizzicato and arco in the same piece, then removed all but one string of his violin to play an aria from Meyerbeer's ''Robert le diable''; these antics only made the audience laugh.〔(David Cairns, ''Berlioz: Servitude and Greatness 1832-69'' )〕 He also wrote some pieces for violin with only one string, and with five strings (which he called "pentakords").〔 He also concertised with Theodor Leschetizky, Anton Rubinstein and Alexander Dargomyzhsky. He founded a string quartet, with which ensemble his pianist daughter Wanda played throughout Poland and Russia.〔 In 1853 he was appointed violinist to the Tsar of Russia. In 1861 he became the inaugural Director of the revived Institute of Music.〔 On one occasion he introduced the violinist Leopold Auer to Ignacy Jan Paderewski. The then unknown young pianist was chosen to accompany Auer at a recital at the Institute.〔(Leopold Auer, Great Personalities, ''The Baton'', January 1927 )〕 His students included Stanisław Barcewicz, Zygmunt Noskowski, Stanisław Taborowski and Konstanty Gorski. In 1878 he performed at the Paris International Exhibition along with Henryk Wieniawski.〔 Apollinaire de Kontski composed a violin concerto, a quartet for four violins, 24 Études-Caprices for violin and flute, transcriptions, variations, opera fantaisies (his "Fantasia on Motives from ''Lucia di Lammermoor''" was famous in his day)〔(Генеалогическая база знаний: персоны, фамилии, хроника )〕 and numerous other virtuoso pieces, all now forgotten. He died in his home city in 1879, aged 53. ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Apollinaire de Kontski」の詳細全文を読む スポンサード リンク
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